 |
| Portiere in Woven Embroidery, designed by Luther Hooper, woven at the Green Bushes Weaving House, Art Journal, November 1906 |
 |
| Dining Table of Brown English Oak, designed and made for P. Debell Tuckitt, Esq., by Arthur Romney Green, Art Journal, November 1906 |
 |
| Panelled Chest of Brown English Oak, designed and made by Arthur Romney Green, Art Journal, November 1906 |
 |
| Arm Chair of English Oak, with Laced Leather Seat, designed and made by Arthur Romney Green, Art Journal, November 1906 |
 |
| Gothic Tulip Tapestry, designed by Edmund Hunter, woven at the St Edmundsbury Weaving Works, Art Journal, 1906 |
 |
| St Paul Brocade, designed by Edmund Hunter, woven at the St Edmundsbury Weaving Works, Art Journal, November 1906 |
 |
| Gothic Rose Tapestry, in Silk and Aluminium, designed by Edmund Hunter, woven at St Edmundsbury Weaving Works, Art Journal, November 1906 |
 |
| Vineyard Poplin, from St Christopher's Church, designed by Edmund Hunter, woven at St Edmundsbury Weaving Works, Art Journal, November 1906 |
 |
| Superfrontal in Red and Black, designed by Edmund Hunter, woven at St Edmundsbury Weaving Works, Art Journal, Noemvember 1906 |
Thanks for the illustrations of Edmund Hunter's work. More familiar with Alec Hunter, it was interesting to see his fathers style of work.
ReplyDeleteIt's a pleasure. I had not seen Alec Hunter's work until I just googled it, and saw a leaping deer design that he did in 1930, which reminds me of Godfrey Blount's deer designs.
ReplyDeleteInteresting how themes can travel across generations. It is not until we start to join the dots together that we realise where the influence came from and was going.
ReplyDelete