Showing posts with label Greville MacDonald. Show all posts
Showing posts with label Greville MacDonald. Show all posts

Saturday, 10 February 2018

Tolstoy Frontispieces in The Vineyard, 1911

In Volume 1 of The Vineyard, two of the frontispieces illustrations on January 1911 and February 1911, a photographs of Tolstoy.  The photos are both credited as having been taken by V. Tchertkoff.  In my previous posts I had written about the links between Tchertkoff and Godfrey Blount (here), and Greville MacDonald (here).

Autographed specially for the Editor of The Vineyard,
Frontispiece, The Vineyard,
 January 1911
In the January 1911 frontispiece the signed photograph of Leo Tolstoy is described as specially written for the editor, it is dated over two years earlier, August 1908.  I had first assumed that this meant Maude Egerton King who is described as being the editor of The Vineyard, but I think that Maude was not the editor of The Vineyard at this point.  The November 1910 issue (also in Volume 1)  for example has the editorial 'The Withered Hand', the editorials are not attributed, but 'The Withered Hand' by Greville MacDonald is No.4 of the Peasant Arts Guild Papers.

In the January 1911 issue of The Vineyard MacDonald has an article titled 'Tolstoy', to commemorate the life of Tolstoy after his death in November 1910.  MacDonald  writes:

"In The Slavery of our Times Tolstoy puts the truth about industrialism with a power that not even Ruskin has reached..But what has Tolstoy done for the World?  Neither reformer nor specialist, philosopher nor theologian, he has yet stirred the world's heart to know itself and to seek more life.  He has pleaded, as no man we can recall ever pleaded before, for submission the ancient sources of life: Love which brought it to pass, which teaches it through joy and sorrow; and Truth which fed it from the breasts of inspiration that it might wax strong into manhood and come back home.  Man's home is the Kingdom of Heaven; joy in life in his inheritance.  Not by politics or riches or conquests will that kingdom come.  It lies waiting within; for Love and Truth alone hold man to man and all to God.

"The Prophet is taken from us."



The loss of Tolstoy continues to be marked in the February 1911 edition of The Vineyard as Tolstoy again has the frontispiece and the quote below states "If I say, really meaning it in my heart: 'Thy will be done, as in heaven, so on earth,' i.e. both in the temporal life and in the life everlasting, I need neither confirmation nor any proofs of immortality.  Live by that part of your soul which is conscious of being immortal, not fearing death.  This part of the soul is Love.'"

Christ and Machinery by Greville MacDonald

Greville MacDonald's article 'Christ and Machinery' was the lead article in The Vineyard, February 1912.  The reference to the factory and power-looms were of particular interest to me.

"At first sight the different between this age and all others seems great, because now clever and powerful men have set up something between the poor and themselves to save their consciences: they have machinery.  They no longer compel the multitudes to till their lands and fight their battles; their machines, whether power-looms or Government offices, do the enslaving for them.  The weaker and poorer people are quite as much benefited, they assure us, as themselves; for they also have lost their simple independence along with all the simple art and, like the mighty in their seats, are become salves to complex mechanic contrivance.  The poor now, like the rich, have won an inheritance of parasitism, and find it almost as hard as the rich man to enter into the Kingdom of Heaven...

design by Godfrey Blount,
The Vineyard, Feb 1912

"Will the world never understand why it is so hard for the rich man to reach Jerusalem, whose fields he sows with dragon's teeth, whose portals he fortifies with blast furnaces, whose harbours he guards with Dreadnoughts, whose empyrean he curtains with nebulous filth - all, lest himself get access to the joy within?  Christ's message concerns the sleeping birthright of man's own humanity, the gifts of his divinity that set him free from the dominance of those very things, all of which shall be given  into his hands when his spirit is inspired by love, worship, humbleness, so that he can use them and not be enslaved by them.  The Grace of God cannot be other than this gift of the Truth that makes us free.  It deals with the ancient simplicities of life - service, sacrifice, forgiveness - the things that count neither the cost nor the reward - the things that must be true, must be served,  must be submitted to, just because they are the Christ in us, the only way, the real nature of man.

"The rich man, dependent upon slaves, money, machines, to save him from labour and service, can hardly enter the Kingdom of Heaven, because that Kingdom is the consummation of the natural divine Life which he despises and crucifies.  And now the poor factory hand has not much more chance, because in him also he natural divine life - the way of Christ - even though he would still serve whom he loves, is starved and may die.  Christ's message to-day, as it was nineteen hundred years ago, is this, that the slave, be he rich or poor, cannot find place in this Kingdom, just because he would starve there.  Either we have never known what that message meant, or with open eyes we do actually uphold those machine-systems of art and thrift, government and scholarship, charity and peace, which, in exact proportion to their efficiency, plot for the final humiliation of Christ in more success than even Judas Iscariot in his greed or Pontius Pilate in his smith could encompass.

"But the Resurrection is eternal."

Greville MacDonald & Vladimir Chertkov

I have explored Arthur C. Fifield's links with Vladimir Chertkov (in my previous post), Fifield being Godfrey Blount's publisher and joint beneficiary in Blount's will.  Greville MacDonald writes about also knowing Tchertkoff (Chertkov).  MacDonald gives more accurate details of Chertkov's exile from Russia, and provides an interesting insight into the Tuckton House colony.  In Reminiscences of a Specialist (1932) he recalls:

“(A)musing, if no more profitable, were my adventures in comradeship with the Tolstoyans, and my intimacy with Vladimir Tchertkoff, Tolstoy’s greatest friend, with whom, it will be remembered, that mighty, unstable intransigent finally left his home to die.

Vladimir Chertkof,
from Wikipedia 
Once an officer in the Russian Imperial Guard, Tchertkoff had been exiled for publishing a defence of that sect of Dukhobors which claimed to follow literally, in social and individual conduct, the Christian Beatitudes.  Tchertkoff had to choose between Siberia for a number of years and permanent exile with confiscation of his estates.  He preferred the latter.  His mother, however, was wealthy and, though an “evangelical,” was, I take it, the support of that delightfully absurd community of multifold dissentients, whether Siberian criminals, or English extremists, which her son established and autocratically controlled.  I was happy in meeting this lady once when on a visit to London.  She seized the opportunity for imploring me to rescue her son from his free-thinking and the inevitable “wrath to come.”  I tried to show her that, so far from being an unbeliever, he was, in his own domain (known as Tuckton House, Christchurch, Hants) following Christ’s teachings, even if he could not accept Church dogmas.  And I think she was in a measure comforted.”

MacDonald describes visiting Chertkov at Tuckton House, Christchurch:
“his religion was only ethical; and his numerous guests and dependants had to repudiate all the customs and conventions generally thought necessary to social happiness.  Vegetarians and teetotallers they must be.  All were equal, so long as they did not entertain theories that clashed with their host’s.  The only person unshackled by this non-conformity was Madame Tchertkoff.  She had her boudoir, tastefully furnished, and a grand piano at which she would gloriously sing to me passionate Russian peasant-songs.  She took her meals alone, and, her invalidism unquestioned, was allowed animal food.  The rest of us, English guests or Siberian refugees, of whom there was a constant influx, fed in the kitchen.  Each filled his own plate from a dish of beans or the huge bowl of vegetable soup which the cook constantly replenished from her stock-pot.  The deal table was bare but clean.  Yet the knives and forks needed no ill-bred inspection to discover blemishes not quite insignificant.  Nor was it obligatory to use those substitutes for fingers: indeed, my host’s son – a lad of sixteen, enthusiastic for Reform and the New Art – sucked his soup from the bowl with gibbous lips, and so audibly offensive was his eating that I saw the wisdom of an evolutional improving upon Nature’s providings.

“At my first meal I was certainly out of my element.  While Vladimir Tchertkoff was lavish of his transcendental philosophy, grandly and simply maintained, he failed to see that I, too conventional to reach across my fellow-guests and grab at the beans, got nothing to eat.  Yet the cook, fortunately English, understood my difficulty and kept me supplied.”

Tolstoy & Chertkov
from Pinterest
MacDonald then describes giving a speech to a group that evening and feeling like “a fish out of water.  My subject was “The Evolution of Religious Instincts.”  Tchertkoff was in the chair.  One of the audience rose while I was still speaking, and asked, in a voice trembling with passion, how I dared tell rationalists like themselves things I knew to be false.  But the chairman smoothed away all friction with his tactful eloquence…Later, my friend almost quarrelled with me, and his liking waned.  For in a subsequent talk, so strenuously did I uphold the need to man of a personal God – not merely the concept of God – if our religion was to help us through the anguish of life for which He was responsible, that Tchertkoff’s philosophic anger, like the working-man’s at the lecture, was set blazing.  Then I remembered what the knout had been to my friend’s forefathers, and was glad not to be a Russian peasant….”

Greville writes “For at Tuckton he had installed a printing-press; and the colony’s chief business was the reissue of Tolstoy’s works on thinnest Indian paper.  With the Russian’s marvellous instinct for circumventing the law, my friend smuggled into his beloved land millions of these censored books, distributing them among the peasantry as free gifts.  He even wanted to translate and similarly issue my own little book on The Religious Instinct, and he autocratically bowdlerized it for copy.  But after our quarrel the matter was dropped…

“With Tchertkoff all life was sacred: we had no more right to destroy even the humblest inhabitant than, say, the Czar had any right to compel his subjects to kill his enemies.  The subject cropped up at breakfast after the first occasion when I addressed his followers.  It had a peculiarly personal interest for me, because a lively fellow-creature, with convictions of its right to live upon others – hitherto Siberian convicts – had chosen to share my bed and deny me sleep.  Without, of course, hinting at my discomfort, I asked my host if he would have any compunction in circumventing a flea’s interference with a child’s rest.

“Yes,” he replied in measured emphasis, “and no! for we never kill even an insect.  But in such a case, I certainly catch the innocent thing – and I have satisfied myself that a finger-and-thumb’s grip doesn’t damage or even hurt it.”

“And then?” I asked
“We keep a match-box, with a perch conveniently fixed, and carefully put the flea in it.  In the morning we set it free in the garden.”
“But it’s not a vegetarian,” I objected.
To which there was no response, unless this question sufficed:
“But have you seen my son’s poultry yards?”
I was then conducted over the whole grounds; and the boy showed me with justifiable pride an enclosure in which hundreds of magnificent cocks were crowded, but no hens.  They kept poultry for the sake of the eggs; but, as a certain number of cockerels were incontinently hatched out and must not be eaten, they were kept separate and in perpetual conflict: this being sanctioned because not contrary to their nature.  I extorted the equivocal fact that as soon as the cocks became too many they were sold; and, being exceptional fine, thanks to careful cross-bred, they were supposed to be ensured against roasting or boiling.”

Spot the Siberian convict?
Original photographs from the Free Age Press and Tuckton House, Christchurch
for sale on Abebooks here
“..My last meeting with Tchertkoff was delightful, if astonishing.  I was once again lecturing to his Brotherhood in Bournemouth, but as I had to leave early the next day preferred staying at an hotel.” Although perhaps he preferred to not share a bed with a Siberian convict!

“He was so far anxious to rectify our differences that, although he had absented himself from the meeting, he brought a Russian peasant to me in the early morning and allowed me to do a small operation on him.  He then took breakfast with me, though the patient was sent home.  Tchertkoff’s clothing must have amazed the hotel guests.  But that a certain grandeur of demeanour, in spite of shocking shoes, the repudiation of a shirt, the home-spun, well-darned knickerbockers and a pullover for a jacket, proclaimed him the aristocrat, I think the manager might have protested.  The morning being cold, he had added to his absurd raiment a red flannel chest-protector pinned outside his pullover!  After doing full justice to the breakfast, he went with me to the station…” (ibid.)

You can read more about “Bournemouth’s radical Russian printers” in this article on Dorset Life: http://www.dorsetlife.co.uk/2012/09/viva-iford-bournemouths-radical-russian-printers/



Sunday, 15 June 2014

Hand & Church - The many do not come here

In 'Hand & Church' (The Vineyard, April 1912) Greville MacDonald continues his description of the Country Church, Kings Road, Haslemere (now St Georges Flats), that I had begun in this previous post.  The specific prayer to "teach us the use of our hands again"is very interesting.  As is the statement that "the many do not come here":

The Country Church, Kings Road, Haslemere
reproduced courtesy of Haslemere Educational Museum

"The Sunday evening services are wonderful.  Low and sweet organ music, a liturgy partly chosen from traditional sources, a silence filled with prayer and sense of recreational forgiveness, are first fruits of the altar's message.  The dim yet star-like candle-light is enough for the glow and passion of this little church's worship-heart.  And perhaps only two or three gathered together, perhaps a score, come here to kneel and sing.  Chiefly are they who, hungry for help and healing, find no peace amidst the mechanic life of the sin-laiden cities, no inspiration from the ardour less routine of most churches.  "Make us Thy faithful people and restore us to the land, that our nation may be independent and brave.  Teach us the use of our hands again, that we may know the value and joy of vital labour, and escape the contamination of the city and its mechanical toil."  "Thy religion is the religion of the heart: give us hearts!  Thy Kingdom is a joyful wedding: give us wedding garments!  Thy gospel is the joy of a clear conscience and a soaring hope: set us free!"  "O Father, who lightest the meek, and fastest down the proud, abase us if we have been arrogant, but help us if we have been humble."  Thus do they pray.


The Country Church, Kings Road, Haslemere
reproduced courtesy of Haslemere Educational Museum
"The many do not come here.  Indeed, as I hear, the many condemn this Country Church as schismatic or merely temperamental and artistic.  They forget that where two or three gathered together in worship of His Name, there can be no schism, for Jesus is in their midst.  They cannot believe that some may find the Bread and the Wine, just because of their hunger and lowness of heart, as by the side of a rude manger, so in this glowing little barn.  In this humble Church is no schism, no setting up of a denomination, no comparing of one dogma with another.  Here is preached Christ crucified, Christ risen: love, repentance, forgiveness, gifts, tears, and joy.  Schism is professional - always.

"As the Holy Ghost bade the craftsmen of old make their common things of beauty and worship; as He bade Giotto build his Campanile for bell-ringing, Bach roll out his Passion Music in prophecy, Blake glorify Death's Door; so God, in mercy to his loving and erring people, has ordered the increase of this little Country Church.  Like all things of love, it is come out of the Everlasting."

Godfrey Blount design detail
from The Vineyard, April 1912

Saturday, 14 June 2014

Hand & Church - April 1912 - a fiery protest

In The Vineyard (April 1912), Greville MacDonald wrote the opening article titled 'Hand and Church'. In it he provides a passionate description of the Country Church, Kings Road, Haslemere, where St Georges Flats now stand.  The frontispiece of the April 1912 journal, facing he article, is an illustration by Melicent Norris, whose collection of Hine family paintings was reviewed in this post.

Atonement, After Blake by Melicent Norris
Frontispiece The Vineyard, April 1912

"There stands in a forgotten corner of a certain country town a wooden building something like a barn, much like a home, altogether like the lily and the rose.  Its mystic Beauty is an outward sign of the truth that man must be saved.  It was at first called the Folk Church, but now is the Country Church.  It stands for a worth in the people, which being essential, being the very sign manual of God's love and joy and pity, is the means at once of His creature's evolution and salvation.  It stands as a symbolic prayer for the restoration of the traditional country life and all its simplicity: the red lamp of its heart always burns over the altar.  It stands for the Truth, whose word is spoken only in Beauty - the Truth made manifest in the promise of children and the glory of flowers, rather than in schools however lavishly endowed with books and instruments and provings.  The Gospel comes to the heart and not the understanding.  The Baby lies in the Manger and the lilies arise in the field as unconscious protests against that professionalism in art, in virtue, in worship which, all unwittingly, robs the Child and the flowers of their mystic glory.  This little Church has for its work the inspiring faith rather than the opposing of unbelief.  None the less and inevitably it is a fiery protest against a materialistic age which trusts to be saved from its sins by parliaments, schools, and laboratories.  It stands, like the child and the lily, for the integral life; like them, it holds as its heart an inheritance of ancient ways; like them, it is a thing of beauty.

detail of the interior of the Country Church, Kings Road, Haslemere
reproduced courtesy of Haslemere Educational Museum
"In my consciousness the Country Church stands as a shrine.  Little, long, low windows with green and rosy curtains light it by day; dozens of candles by night.  The altar stands in a vaulted apse fashioned by the artist's hand.  On its walls live, in modelled plaster and radiant colour, birds on uplifting wing, vines out springing and embracing, fruit trees lavish in their kindliness.  As the keystone of the arch from which the apse recedes, is a crucifix almost archaic in simplicity.  From it to right and to left are rushing over the wall red flames that cross great wind-tossed clouds; while, towards the limit of this wall on both sides, the flames are changed into up looking, uprising doves.  But the altar-piece itself surpasses in imaginative splendour all ecclesiastic Art that I have ever seen.  Standing out from a background of vine in green and purple, stands the cross.  Above is written "Ego sum Vitis Vera," and below, among roses and doves, "I am the Resurrection and the Life."  In front of the cross, and raised from it as if leaving it behind, is the body of the Saviour, head and eyes uplifted, arms still outstretched but uprising.  It is carved in wood and coloured in subdued yet glowing tones.  It cannot but fill every simple man and woman with sense of worship.
Reredos of Carved and Painted Wood in the Country Church, Kings Road, Haslemere, 
designed by Godfrey Blount
from Art Journal, February 1911
"On every hand the Art is living, the symbols never tied within rigid bonds.  Like the greatest music, they may awaken one form of inspiration in one person, another in another, though all get like uplifting and help.  The noblest art is many-sided, like the nature of man, and no one aspect need be truer than another.  So here, many understandings are gathered into one confession of faith.  Below the exulting doves hangs a small sculptured Pieta, which deserves remark because of the particular note of freedom sounding in this Church.  It is surmounted by an open frieze of ripening corn, the instant unwritten word of which rings forth as if from some invisible trumpet: "That which thou sowest is not quickened except it die….It is sown in dishonour, it is raised in glory…Death is swallowed up in victory!"

East End Recess of the Country Church, Kings Road, Haslemere
designed and modelled in plaster by Godfrey Blount
from Art Journal, February 1911

Saturday, 7 June 2014

The Country Church - an embryonic idea

In the Haslemere Educational Museum some time ago, I came across this pamphlet / leaflet / notice which to me seems to be the beginning of the discussion and formation of The Country Church on Kings Road, Haslemere.   The paper has the faint print of Godfrey Blount's vine leaf pattern to the side of text.  It's interesting to read that the meeting will be held in the country and not London "on account of the greater peace and fewer distractions".

detail from
Blount, Godfrey, Arbor Vitae, A.C. Fifield, London, 1910

"We are trying to arrange for a short Conference to take place in Haslemere during November among those who believe that there can be no escape from our present troubles except in the discovery and practice of a true religious faith.

"We adopt the term "religion" in neither an exclusively orthodox nor in an exclusively ethical sense.  Our object is to appeal to that rapidly increasing class of free thinkers who hold that a belief in God, and a dependence on His will, is not only compatible with Common-sense but absolutely essential to our welfare.

"We believe that all true civilisation must be built on that presumption, and we would invite those to whom it has become an obvious truth to meet and exchange views on the Revolution which is taking place, and on the best methods of meeting its dangers or influencing its course.

"It is proposed to hold the Conference in the Country in preference to London on account of the greater peace and fewer distractions.


Leaflet, reproduced courtesy of
Haslemere Educational Museum
"The Meetings will be as intimate and informal as possible.  It is not proposed to admit the public, nor will visitors be asked to prepare papers or addresses.  Should the advisability of this Conference appeal to you, will you let me know if you would be able to come and help our deliberations, and also give me the names of any whose presence you consider would be valuable.

"This is only a preliminary notice, since we must ascertain how our suggestions are accepted before we can issue a more definite programme.

"If the scheme has your approval, may we insert you name to that effect?

"Mr Clutton Brock, Mr Lawson Dodd, Dr Greville MacDonald, and Mr Priestly Prime have been the first to express their cordial appreciation."

detail from
Blount, Godfrey, Arbor Vitae, A.C. Fifield, London, 1910
I think I must have missed the bottom of the notice off in the copy I took, which I think must have been signed by Godfrey Blount.



Sunday, 20 January 2013

Searching for Little St Cross, Weydown Road

A few weeks ago I thought that I might have stumbled across the building of Little St Cross which was in the garden of St Cross, Godfrey Blount's old house on Weydown Road, Haslemere.  I wrote about this unique church in my Haslemere Cranks - Part 2 post.

Little St Cross,
reproduced courtesy of The Dartford Warbler

From looking at a plan of that part of Weydown Road, you can see that the houses of Greville MacDonald, Wildwood, and Godfrey Blount, St Cross, would have been next door to each other in the early 1900s.  Now there are three houses 'infilled' between them.  These are all quite recently built.  It would appear that two were built in the garden of Wildwood and the other in St Cross' garden.

One of those three houses is currently for sale, and can found here on Zoopla.   The owners told me that they built the house about 10 years ago.  In stark contrast to the rest of the estate agent's photographs of the house is the 'studio' right next to it.   This is a very unusual outbuilding that is clearly a relic from an older time.  I thought it might be Little St Cross, it is certainly an intriguing building which looks like a chapel, but it clearly is not Little St Cross.  The land that the house is on, was part of Wildwood's garden, and is represented on the map below in the garden of the most furthest bottom house.  The entrance faces the road, and is situated before the main house of Wildwood, suggesting that the building was for visitors.

map of part of Weydown Road, Haslemere

The studio on Weydown Road,
from Zoopla

The studio on Weydown Road

The inside of Little St Cross differs from the inside of this studio also.  The owner kindly invited me to look at the studio, and you can see from the photograph taken through the glass that there is wooden panelling halfway up the walls, the ceiling is boxed in towards the top and intriguingly the far end is raised like it would in a church or theatre.  There is no record of Greville MacDonald being a craftsman, so if the building dates from his time at Wildwood (c.1919-1944), I do not think it would have been used as a workshop by him.  Any ideas?

Inside Little St Cross,
reproduced courtesy of The Dartford Warbler


The view inside the studio, Weydown Road
taken from the door
From the map it would appear that the only other outbuildings on the original site of St Cross are probably just the garages.  The map came from a Surrey County Council objection in 2010 to St Cross building a house in their front garden.  It says "Wildwood Cottage was an exception and was a new build replacing an earlier demolished bungalow".  I think that this new building could have built on the site of Little St Cross.





Saturday, 27 October 2012

James Archibald Campbell - the connection, case closed

With some excellent research by duncmacg I feel confident that the James Archibald Campbell has been identified as much as possible without access to a time machine.

As I had guessed in my previous post, James Archibald Campbell and Godfrey Blount were at Cambridge University together.  They both attended Pembroke College.  The Cambridge University alumni has James Archibald Campbell as entering Pembroke College in 1874, and being awarded a Bachelor of Arts in 1880.  At six years, this seems to be a longer than an average degree, I wonder why?  The alumni entry gives Campbell the title of "7th of Achandiun and 5th of Barbreck" and also "J.P." presumably standing for Justice of the Peace.  The entry also says "died unmarried Feb. 5, 1926".  Godfrey Blount is at Pembroke College in the 1881 census.

The puzzle of "who was" James Archibald Campbell was emphasized recently when I acquired a copy of George MacDonald and His Wife (MacDonald, Greville, Unwin Brothers, London, 1924) which has the inscription "James A. Campbell with love & gratitude from the writer".

I wonder whether Greville knew Campbell before Campbell met Godfrey Blount?  Either MacDonald and Campbell were old friends through MacDonald's Scottish connections, or MacDonald and Campbell met through Blount.  Whilst the other four main members of the Peasant Arts movement were related (Maude Egerton King and Ethel Blount being sisters, and Greville MacDonald and Joseph King being cousins), Godfrey Blount was the 'outsider' so it is interesting to consider whether it was James A. Campbell's connections with Greville MacDonald that may have brought the most prominent artist of the movement into the fold.  In his book, Greville refers to Campbell's thoughts on his father, George MacDonald, which suggests that Campbell was a family friend, and therefore probably of longer standing than Blount and MacDonald's relationship.

dedication inside a copy of George MacDonald and His Wife
(MacDonald, Greville, Unwin Brothers, London, 1924)


Greville makes a number of references to James Archibald Campbell in this book, although these do not shed much light on Campbell's activities, but they do demonstrate that Greville admired Campbell's explanations of human nature:

"Retribution, according to my friend James A. Campbell of Barbreck, was rather a law of Nature than called for by any instinct of hatred; and he illustrates it by an incident occurring in his family at the beginning of the seventeenth century.  The perpetrator of an accidental death was sought by a rival sept of Campbells to extort the inevitable penalty.  His foster brother, Donald MacCallum, donned his clothes while the fugitive slept and got himself shot in his stead.  The avenging sept showed every honour to the hero and settled a croft upon his family for all time." (p. 40, ibid)

MacDonald writes that "My father might have found an old tartan coat at home and worn it partly for economy, and yet because he liked it", and then expands upon this point "My friend, James A. Campbell of Barbreck, a first authority on such points, writes me that "the tartan coat was often worn in old days, but driven out by tourists and strangers." (p.75, ibid)

Later MacDonald in a chapter upon John Ruskin writes that "Ruskin, like my father, had discarded all Calvinistic doctrine, though the latter was in Ruskin's eyes still orthodox.  My father's unqualified optimism kept strong within him the faith that, when all is revealed, the ignominies of man's industrial progress may yet prove to be comprehended within the creative Will: that man may yet become a greater being than if the forbidden fruit had never been tasted."  MacDonald notes this observation with "A propos of this, James A. Campbell of Barbreck writes thus: "Is this so ?  Does not George MacDonald rather feel that 'Industrialism' may be valuable because, like other oppressions, it may lead to repetance?  And does he believe there is any 'Progress' for the soul through 'Evolution' or indeed in any way, except through repentance?"  I believe my friend is right and that his questions are not in disagreement with the observation expressed above, yet their implicit answers express better what my father would wish to be said.  "Everything," my friend again asks, "assuredly for your father was safe in God's hands; but did he consider that man could grow and go forward at all until he 'came to the Father'?" (p.330, ibid)

Campbell's final appearance in MacDonald's book places Campbell in Italy "In the winter of 1896-7 an incident occurred that stirred the best and deepest feelings of the English colony at Bordighera.  Dr John A. Goodchild, the family's medical adviser and much beloved by my father as a man of unusual poetical gift and strange mystical mind, was infamously attacked in an Italian court of law on the false charge of libelling a practitioner of other nationality, who was scarcely a rival.  One after another of my people were subpoenaed, one as witness for the prosecution.  My father was deeply moved, and spoke in court with such fiery indignation in defence of his friend that his evidence probably had much to do with the withdrawal of the case.  James A. Campbell of Barbreck, also beloved of my father , was watching it with keen interest.  He writes of it to myself: " Endowed with a keenly sensitive temperament, pitiful of all sorrow, he did not perhaps recognize the Fire of Charity in his own soul when it flamed forth in defence of others.  On the occasion when he was summoned as a witness before the court, he spoke in chivalrous and strong defence of his friend.  But afterwards he was much troubled that he should have spoken "inadvisedly"; while to those who heard him it seemed that he has only obeyed the orders of his Master, in reference to such occurrences, by taking no anxious thought, and saying what was given him to say." (p.557, ibid)



Thursday, 18 August 2011

Pre-Haslemere Peasant Houses

I do like snooping at other people's houses and I have been googling to look at the houses the key members of the Peasant Arts movement used to live in before they moved to Haslemere.  It is difficult to know whether road names or house numbers have changed since 1900, but hopefully I have been looking in the right places!

Joseph King
In 1881 King was living as the head of the household at Welford House, Hampstead.  There is a Welford House Residents Association registered at Arkwright Road, Hampstead NW3 6AA, so I was wondering if the house was on this road.  It no longer appears to be there, perhaps as a result of the heavy bombing of Hampstead during World War 2; there appears to be a number of high explosives and incendiary damage on Arkwright Road.  Welford House seems to now be a collection of new houses, however it presumably looked like one of the older houses on the road.

Typical Arkwright Road house, Hampstead, NW3 6AA

Welford House?  Hampstead

In 1891 Joseph King was living at 6 Wedderburn Road, married to Maude Egerton King.  The houses on both Arkwright and Wedderburn roads look quite substantial, and similar in design.
Typical Wedderburn Road house


Greville MacDonald
From 1867 the MacDonald's lived at The Retreat, now known as Kelmscott House, Hammersmith.  They sold the house to William Morris who renamed it and made it famous.  

The Retreat, childhood home of Greville MacDonald 1867- 1878


Drawing Room interior of Kelmscott House (formerly The Retreat) 1896,
when owned by William Morris,
Victoria and Albert Museum
Greville's father owned Casa Coraggio in Bordighera, Italy, and the family spent a lot of time there.  I understand that the house was a gift to George MacDonald from a fan. The Italian climate was thought to be beneficial for George's health and that of his children, tuberculosis killed four of Greville's siblings.


Interior of Casa Coraggio, by Irene MacDonald
from The George MacDonald Informational Web

Italian home of George MacDonald,
Casa Coraggio, Bordighera
Greville lived, and presumably operated his private practice also, at 85 Harley Street in the 1880s, and lived there until he moved to Haslemere in 1919.  In 1891 Greville's brother, Robert Falconer MacDonald, was also living with Greville and Phoebe.  He was the architect who designed the house St. George's Wood in Haslemere for his father, George MacDonald.  Greville had three servants, a cook, a housemaid and a professional nurse.  I do not understand the professional nurse being classed as a servant, was she a colleague of Greville's working for his practice?   Or maybe she was looking after Greville's wife Phoebe, who at around 1919 "lost her leg"(MacDonald, Greville, 1932, Reminiscences of a Specialist, London, George Allen and Unwin).

85 Harley Street,
home to Greville MacDonald until 1919
Maude Egerton King (nee Hine) & Ethel Blount (nee Hine)
The Hines were living at 26 Park Road, Hampstead in 1871.  I am not sure where this road is, perhaps it is the Park Road that runs alongside Regents Park from Baker Street.  This road continues as the A41 to St Johns Wood, Swiss Cottage and up to Finchley Road but it is renamed at several points.

In 1881 the family were living at 130 Haverstock Hill.  It looks like that house is no longer in existence, possibly bombed during World War 2 also.

Hine family residence 1881
Haverstock Hill, 130 on left?  Typical house on right
The Hine residence was close to nearby Arkwright Road and Wedderburn Road where Joseph King was living in 1881 and 1891 respectively, in 1891 with Maude Egerton King, his then wife.  As the Hine's had so many children, Maude as the youngest was in the unusual position of being just 2 years older than her niece Ellen Shenton (or Sheraton) who was also living at 6 Wedderburn Road with Maude and Joseph, and their two servants.

Nearby also in 1891 was Ethel.  Ethel Blount as she then was, was living with Godfrey Blount at 1 Church Row Mews, Hampstead.  I think this is now simply called Church Row, Hampstead Parish Church is on Church Row.  I wonder if the Blounts and the Kings visited the church?   In contrast to the others, Godfrey and Ethel had no servants living with them; they continued to be servantless in 1901 and 1911.

1 Church Row Mews?
Residence of Godfrey & Ethel Blount 1891

St-John-at-Hampstead, on Church Row, Hampstead

The proximity of the four different residences is highlighted in the map below.

Map of Hampstead highlighting the Kings, Blounts and Hines addresses
Godfrey Blount
Godfrey Blount's childhood house looks quite inferior in size and stature to those of the other Peasant Arts members.  He lived at 6 High Street, Bagshot.  According to the 1861 census there were 4 servants living here, including a governess, cook and a groom.  Including visitors, there were 13 people staying here in 1861, this makes me wonder how the photograph below can be the same address, as the house would have been overflowing.

6? High Street, Bagshot
home of Godfrey Blount 1861
High Street, Bagshot

I think these photographs show that the Kings, Greville MacDonald and the Blounts were all living in respectable houses prior to their move to Haslemere.  Joseph King, Greville MacDonald and the Hines houses were all quite substantial residences, and were members of a privileged class.  Godfrey Blount on the other hand appears to have been living in a much smaller residence but nonetheless a comfortable one.
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