Sunday, 9 September 2012

Peasant Art Trail, Thank you

Thanks to everyone who came along this afternoon to the Peasant Art walk.  I hope you found it interesting.  Public speaking is not my favourite thing as you may have noticed!  Frankie Gaiter was as always a wealth of information on St Christopher's Church.  The refreshments and photographs and literature at the Weaving House were a lovely surprise.

Here is some information that we referred to during the afternoon which may be of interest:

- Alec Hamilton's excellent (2009) overview sheet of Charles Spooner, the architect of St Christopher's Church, Haslemere is online here.   I understand that Alec's soon to be published book on Charles Spooner is at the printers (it seems to have been there for a few months!)

- the watermill which according to Luther Hooper (Art Journal, 1911) was on the site of the now St George's flats on Kings Road, Haslemere was pictured in Tim Winter's Around Haslemere (Tempus Publishing Limited, 2002).  There are a few more details on my post A Historic Walk Down Kings Road
Puttick's Mill Foundry
from Winter, Tim, Around Haslemere,
Tempus Publishing Limited, 2002

- Francis Troup's country house masterpiece, Sandhouse (now Kingswood) in Sandhills, a few miles outside of Haslemere, near the village of Brook.  As you can see, it was quite a bit grander than the buildings we looked at today.  There is some more information on Troup in my Architecture: Francis W. Troup post.  There are a number of photographs of his works in RIBA's Francis Troup archive.

Sandhouse by Francis Troup, 1910
Built for Joseph & Maude Egerton King

- the Arthur Romney Green bookcase currently for sale in Yorkshire is here.  The top of the spindles is similar to the altar chair at St Christopher's Church.

Bookcase by Arthur Romney Green



Friday, 7 September 2012

May Day, Haslemere 1910

Following on from my May Day posts which included First of May is Garland Day , an article written in The Vineyard in 1911by Maude Egerton King, I have come across a report on Haslemere's May Day celebrations of 1910.

Peasant Tapestry curtain,
designed by Godfrey Blount
The Artist. November 1897

The Times ("May Day In London." Times [London, England] 2 May 1910: 6. The Times Digital Archive. Web. 7 Sep. 2012.) reported on a "Festival at Haslemere", writing that:

"A charming May Day festival took place at the Hall of St. George, Haslemere, on Saturday.  It was arranged by Mr and Mrs Godfrey Blount, who are well-known for their close association with the New Crusade, the Peasant Arts Society, and other movements connected with a higher life on simple lines.  The festival began with a big muster of children weaving garlands and wreaths, and carrying Maypoles adorned with wild flowers.  The children were awarded prizes for the prettiest displays.  A folksong concert with a lecture on homespuns and a demonstration of distaff and wheel hand-spinning followed.  The object of concert and demonstration simultaneously was to show that it is possible to do the necessary work of the world with musical accompaniments.


"The members of the Guild of Country Players concluded the festival with a display of Morris and country dancing."

The emphasis on working and listening to music, is particularly interesting.

from Arbor Vitae,
Godfrey Blount, Fifield, 1910

Saturday, 1 September 2012

Filius Nullius: Nobody's Child by Joseph King

I have managed to see this pamphlet, Filius nulls: nobody's child by Joseph King which was published in 1913, and is held in the London School of Economics Special Archives.  The short pamphlet is a fascinating reveal of Joseph King's support for women's rights, on a highly controversial moral issue at that time but which is trivial now, almost 100 years later.  This further supports the references to women's suffrage that I had found King associated with, and posted on previously in Suffragette Connections: Part 2 - The Politician.

Joseph King MP
c. 1910


"Prefatory Note
This pamphlet calls attention to a cruel injustice, wider in extent, more silently borne, and more bitterly resented by the sufferers than many grievances which have societies, sermons, subscription lists, etc., to accomplish their removal and mitigate their miseries.

The writer has been led to publish these pages by his growing conviction, confirmed from many quarters, that legislation is needed on this subject.  He has each Session since he entered the House of Commons introduced an Illegitimacy Bill, an outline of which appears on pages 28 ff post.  The correspondence and communications from all sorts and conditions of men and women, due to Press notices of his Bill, etc., have been convincing, and are referred to in this pamphlet.

Legislation on this question cannot be expected till Government takes it up, and that is hardly likely to come till the Home Secretary is made so aware that he cannot safely disregard the demand for legislation... 

J. King
House of Commons,
June, 1913."


The pamphlet begins with:

"Born without proper father or mother!

"860,327 children were born in England and Wales  1910 of legitimate birth, with married women for mothers; 36,635 were born of illegitimate birth, mostly unwanted children, with mothers indeed, but in the eyes of the law, filii nullius, the children of no one!  Handicapped at the start of life, subject to disabilities, disfavour and scorn, do these children get the equality of opportunity which a just society should mete out to all its members?  Few persons realize the magnitude of this social problem, the injustices of the present law, nor the extent to which old traditions and unfair conditions still oppress not only the unwanted children, but all classes of the community.

"The magnitude of the problem is excuse enough for facing it fairly and frankly.  Roughly, 1 in every 24 children born is illegitimate; about 4 in every 100!  In most cases an illegitimate birth means the loss of character, employment, home, reputation to the mother!  Perhaps driven from her parent’s home, perhaps in to the workhouse, often without any aid from the man who is fellow parent of her child, the mother pays a high price for her shame.  She pays in full in a few weeks for her own and for the man’s folly and sin.  Some say that she ought not to expect anything else.  But why should the little British citizen have to pay heavily…?"

King outlines "The Present Practice in Bastardy Cases…Suppose the mother has had no provision made for her child by the father, and suppose she is able to clearly show with some show of truth who the father is, recourse will be had to the magistrates to make an affiliation order, and she will have to go to the court under strict rules of law.  Under these conditions a woman, who is about to become, or has become, the mother of a bastard, may apply to a justice for a summons against the man who is father of the child; but the application must, as a rule, be made within twelve months of the child’s birth.  When the summons has been issued, and served on the man, he has six days before the hearing.  He is entitled to this to prepare his defence, but sometimes uses this interval to flee the country or abscond.  If he appears at the hearing, the evidence of the woman, which is essential, must be given first and in open court, and must be corroborated in some material particular by other testimony to the satisfaction of the justices.  If her story is uncorroborated, however plain and probable it may be, the case is dismissed.  But suppose there is a corroborated case to answer; it too often happens that the woman or girl has no legal adviser and the man is well represented; in such cases she stands a poor chance of getting an order made the he should contribute anything.  But suppose she wins the case, the maximum amount which the justices can order is five shillings a week till the child is sixteen; the sum is inadequate.”

"...The Woman’s Grievances are, in view of her inevitable physical and mental sufferings, very great;
(1) She cannot obtain by legal process any maintenance for herself for the time before her child is born.  She may lose her employment, be turned out of her home or lodgings – these things often happen – and she may be driven into the workhouse, she may even be driven to deception, fraud, or even vice to keep her head above water, but she can obtain nothing till her child is born.  She ought to have a legal remedy, by which she could get from the man some maintenance and something to support her in her trouble and confinement.    There ought to be a Maternity Order made where a woman is in such conditions as just stated, say for three months before and one month after the birth; a maximum of ten shillings a week would meet the case.  Such a provision would save many women who sink at this crisis into conditions of nameless disgrace.  It would give indirectly to many babes a healthier, happier entry into life and make their whole future prospect brighter."
 


Sunday, 26 August 2012

Peasant Art Trail, Heritage Weekend 2012 - More info

I have had a few enquiries about the length and terrain of the walk on the 9th September 2012, and the easiest way to describe it is to show a map of the route.

We start off at St Christopher's Church, Haslemere's magnificent Arts and Crafts church where Frankie Gaiter will give a brief overview of the main points of interest, including the Vineyard Poplin which I have blogged on previously, made by the St Edmundsbury Weavers.

We then leave to walk across to Kings Road.  This is a reasonably short walk as you can see from the Google map below (with the scale in the left hand bottom corner), but we go across a railway footbridge that is a bit of a climb.  As we leave Kings Road and go into Foundry Lane we begin to go up a reasonably steep slope.  As we leave Foundry Lane to go up a footpath and steps to Longdene Road we go up a very steep slope, which would leave any non-Olympians breathless!  It's unlikely we will be walking very quickly at this point.

As you can see we 'finish' at Longdene Road, which is not where we started.  So to return to a car etc. the steps can be retraced back to St Christopher's Church, or alternatively you could continue down the more gentle slope of Longdene Road, which ends opposite Haslemere train station and turn left onto the B2131 which is called 'Weyhill' in the map below.

Haslemere Peasant Art Trail route
9th September 2012


I choose not to post current day photographs of the Peasant Arts houses on my blog as they are people's private homes.  However below is a little map of the houses referred to in my blog which we will be loitering outside on the walk.  Those in white are buildings designed by Francis Troup.

Haslemere Peasant Arts buildings

Thursday, 23 August 2012

Peasant Art Trail, Haslemere Heritage Weekend, 9th Sept 2012

In conjunction with the forthcoming Heritage Open Days, I will be leading a Peasant Art Trail on Sunday 9th September at 2.30pm.  The walk is listed in the Haslemere Heritage Open Days leaflet.

The walk will be around Haslemere's Arts and Crafts buildings located on the Kings Road, Foundry Lane and Longdene Road, all of which are closely linked with the works of the Peasant Arts movement that I detail on this blog.  The trail will begin in St Christophers Church, that I have also written on in this blog, which is a fine example of the Arts and Crafts movement.  The trail will be a repeat of the two Peasant Arts Walks that I ran in May 2012 for the Haslemere Society.

Haslemere Heritage Weekend 9th September 2012
Peasant Art Trail details


Fingers crossed I have some people to take on my trail!

Borough loses noted craftsmen, a gifted personality

I keep on returning to Arthur Romney Green.  After discovering that his workshop still exists in Haslemere, and that it is next door to my house(!) I have found some additional articles on Arthur Romney Green.  His obituary from Christchurch Times (3 March 1945) gives a good overview of his life, and the title of the article "Borough loses noted craftsmen, a gifted personality" conveys a great respect for his talents:

"A GREAT loss has been sustained by his friends in the artistic world, and the Borough generally, by the death, following a cycle accident, of a sailor, poet and craftsman, Mr. Arthur Romney Green, of 3, Bridge Street.


Arthur Romney Green,
Christchurch Times, 3 March 1945


"Mr. Green had lived at Christchurch for the past 25 years, and had been noted for the exhibitions of his work in furniture design at the Bournemouth Arts Club shows.  He also lectured on crafts to the Literature and Art Society.  To a visitor passing down Bridge Street, the name of A. Romney Green, woodworker and designer, displayed above his little shop, conveyed little or nothing.  Yet few could fail to be attracted by the examples of carpentry conspicuous within.

"It was there that Mr. Green lived and modelled from walnut, pine, cedar and other woods for many years.  Graduated from Cambridgewith mathematical honours, he had since distinguished himself in the annals of carpentery and his work is recognised all over the country.  A Batchelor of Arts, Mr. Green had for some years carried on teaching in South Africa.  Quite recently he broadcast from the B.B.C. on the lighter side of his  profession.  It was his second broadcast within six months: his first transmission in May attracted a hundred letters.  His furniture, which he made himself, is all designed geometrically and worked out with mathematical accuracy, which he considered enhanced its beauty.  His combined workshop and residence is a veritable storehouse of every conceivable piece of furniture of a quality which indicates the touch of a master  craftsman.  Adorning his walls and strewn amongst finished models, are illustrations and pictures connected with his profession.
Arthur Romney Green c. 1920s (in the dark jacket on the doorstep)
from Elkin, Susan, Life to the Lees, Cromwell Press, 1998

"Mr. Green had every reason to be proud of his handiwork.  Examples had been exhibited with the Arts and Crafts Exhibition Society, and through the medium of the Board of Trade and the Ministry of Education, in international exhibitions at Paris. Milan and St. Louis.  A strange but interesting aspect of his career was that despite the wide spread popularity of his work he had never travelled a great deal. The quality of his work  was so recognised that prospective buyers willingly came to him and not he to them.  His many clients since the last war included several Peers.

"One of the most beautiful examples of his creative art was a lectern modelled in yew and chestnut for the war memorial of St Georges School, Hartington.  Undertakings had also been received from Charterhouse School.  Examples of his fine work can be seen locally.  The lectern and oak wood work of the Lady Chapel of the Priory Church was carried out by Mr. Green and his staff.  He also made furniture for the late Eric Gill, sculptor and scribe, with whom he had been associated in some of his work.

"His business was not entirely immune from the effects of war.  Despite the fact that as a small working master he had experienced an acute staff shortage, the standard of his work still maintained its high level. It was his firm belief that the authorities should do all they could to foster the formation of these small workshops after the war in order to develop that creative impulse so prevalent in British people.

"A native of Strand-on-the-Green, Middlesex, he leaves one surviving daughter, his wife having died two years ago.  His brother, a well-known architect, Mr. W. Curtis Green, R.A., whose designs included those for the Dorchester Hotel, London.

"Another of Mr. Green's interests was financial reform, in connection with which he had corresponded with Lord Keynes and contributed to the “New English Weekly.

"The interment took place at the Christchurch Cemetery on Saturday, February 24th. the service being conducted by the Rev. Woodhams.  The family mourner was the brother of Mr. Green, Mr. Curtis Green.  Also present were: Mrs. Leslie Goodwin, Mrs. Garle, Mr. Julian Taylor, Mr. A. Scott and Mr. and Mrs. F.D. Lane."

Friday, 3 August 2012

Weaving and Rambling


I have recently acquired an old guidebook to Haslemere, The Rambler's Guide to Haslemere, Hindhead and District, and I was interested to see the advert on the opening front leaf of the book for the Haslemere Weaving Industry.  There is no publication date, but it is probably c. 1928, judging from the statement that "this industry, established over 30 years" and the reference to "the late Mrs Maude E. King" later in the book.

Haslemere Weaving Industry advert from
The Rambler's Guide to Haslemere, Hindhead and District
Under a section titled 'Industry' the guidebook reads "The idea of keeping alive traditional handicrafts in the vital industries and bringing art into the service, not only of luxury, but of every-day life has inspired various activities and workers in Haslemere for more than a generation.  It still persists in various ways,notably in the Hand-weaving Industries of the Peasant Arts Society in King's Road and of the Inval Weavers.  The former, founded in 1895 by the late Mrs Maude E. King, specializes in linen and cotton textiles; the latter are famed for their woollen materials, especially dress fabrics; but each can show a wide range and variety of beautiful weavings, which visitors can always see being woven and worked up".

Haslemere map from
The Rambler's Guide to Haslemere, Hindhead and District
with the Weaving Industry labelled as number 10
from
The Rambler's Guide to Haslemere, Hindhead and District





Haslemere adverts from
The Rambler's Guide to Haslemere, Hindhead and District

Electricity advert from
The Rambler's Guide to Haslemere, Hindhead and District






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