The Victoria and Albert Museum have informed me that the hanging was purchased from Sotheby's Belgravia in April 1978. It is 210cm x 180cm.
Hanging by Godfrey Blount, 1896 Victoria & Albert Museum |
Linda Parry explains the evolution of bedroom style of the 1890s in the Textiles of the Arts & Crafts Movement (Thames & Hudson, 2005): "Printed cottons with white and pale grounds were increasingly used throughout the house, and more attention was given to bedrooms. Heal's, famed for its hygienic mattresses, sold a range of suitable bedroom furnishings including printed cotton and silk bedcovers. They also sold applique hangings from Haslemere which were acceptable hygienically because they were made from washable linen." At the Paris Exhibition in 1900 (Exposition Universelle), Heal's exhibited a pair of oak bedsteads with the "covers and hangings of Haslemere 'Peasant Tapestries'" (Parry, 2005).
Godfrey Blount bedcovers and hangings, exhibited by Heal's at 1900 Paris Exhibition, Parry, Linda, Textiles of the Arts & Crafts Movement, Thames & Hudson, 2005 |
Oak bedstead designed by Ethel Blount, head, foot and quilt peasant tapestry designed by Godfrey Blount from The Artist, November 1897 |
Godfrey Blount Drapery. Reproduced courtesy of Haslemere Educational Museum |
Presumably the Victoria and Albert Museum's hanging at 210cm x 180cm would be too big to have formed a headboard, but perhaps it could have been for a bedspread? Or maybe it was just designed for a hanging.
I have always wondered why on earth the "Swallows and Rose Tree" hanging at the V&A would be called "The Spies". Your explanation sounds much more likely and it appears that birds and trees, in various combinations, make up several of Blount`s wall hangings or bed drapes.
ReplyDeleteEthel and Godfrey`s bed, in the second photo, looks like something from a much earlier time. It looks almost medieval. Reminiscent of furniture in Pre- Raphaelite paintings. Part of that late Victorian longing to go back to a simpler, pre -industrial age.
I wonder whether Ethel & Godfrey's bed was made by Arthur Romney Green, the furniture maker, who was working in Foundry Meadow at the same time. That might explain why the bed-making didn't continue.
ReplyDeleteI also wonder whether the Blounts called the Kings "The Spies"!