Saturday, 27 January 2018

Haslemere & the Spitalfields Weavers Part 1

There are links with the Haslemere weaving to the Spitalfields Weavers (in addition to the link through Luther Hooper with the Harris weavers in my previous post here).  Not knowing the details of what happened to the Spitalfields Weavers, and why some might find themselves in Haslemere, I found an excellent summary by Lasenby Liberty writing in 1893 on the industry which I reproduce here.  The demise of the Spitalfield silk industry is an interesting example of economics in action.

On the demise of the Spitalfields weavers 'Spitalfields Brocades' (Studio: International art vol.1,1893, online here) Liberty wrote:
“To those in sympathy with the recent patriotic movement inaugurated on behalf of the English Silk Brocade Industry of Spitalfields, it may be interesting to briefly recall a few incidents in regard to the introduction, gradual development, and subsequent decline of this beautiful art industry….Even so far back as the beginning of the sixteenth century, the craft or mystery of silk-weaving was recognised as one of the most flourishing industries of France.  But it was at a somewhat later period that it was carried from France over to England, where it did not assume any considerable importance until about the middle of the sixteenth century.
 
Illustration from 'Spitalfields Brocades', Liberty, Lasenby, Studio: International Art, Volume 1, 1893


In  1585 numbers of skilled Flemish weavers, driven over by the devastating War of Independence, sought and obtained refuge in Great Britain from the terrors of Spanish domination , and localised their cult, notably in and around the county of Norfolk, and particularly the process known as “flowered and striped” silk-weaving.  Almost exactly one century later, the Revocation of the Edict of Nantes compelled thousands of the Huguenots of France to flee their native soil, and again a very large number of skilled Protestant workmen sought protection in England.  Many among the Huguenot refugees were silk-weavers, and settled in Spitalfields.  And although both the Flemish and Huguenot weavers formed independent coteries in other districts, yet Spitalfields from the first became, and to-day remains, the centre of hand-loom work in English-made silks.

…in the year 1825 the number of hand-looms in use in the district was estimated at 24,000, the number of persons employed 60,000, the amount of silk used one-and-a-half million pounds, and the average annual value of the work produced some £2,000,000 sterling.

In the year 1860, however, the English silk weaving trade suddenly lost the fostering care and fiscal protection which for two preceding centuries it had enjoyed.  The “Cobden Treaty” ruined an erstwhile thriving industry by brusquely casting aside protective tariff rates without note of warning, and this inviting competition with metericiously cheaper Continental goods.  In but a few short years the number of looms in Spitalfields was reduced to some 1,200, and the operative weavers to about 4,000.

Had the competing Continental goods been frankly offered as of inferior quality as well as lower in price, or had time been allowed for acquiring certain occult chemical mysteries and simulations to apply in our own method of manufacture, the products of the Spitalfields looms could, doubtless, have held their ground.    But owing to a pernicious and misleading practice, followed by the Continental manufacturers, of artificially weighting silk yarns during the process of scouring and dyeing, the competing silken fabrics were not for a while recognised as intrinsically inferior.  The British silk-weavers suffered-
(     1)  By the flooding of the English market with inferior, though albeit lower-priced goods, and
      2) By a subsequent fateful re-action, a stern and just Nemesis, in the form of a withdrawal of public favour and demand for every kind of silken fabric. 

Illustration from 'Spitalfields Brocades', Liberty, Lasenby, Studio: International Art, Volume 1, 1893
…All silken fabrics, British and foreign alike, were avoided by reason of the discovery of the bad wearing quality of the artificially weighted foreign substitutes, which were too frequently represented and sold as Spitalfields silks..attributed the thirty long years of general avoidance by an ill-used public of silk materials applied to dress and upholstery purposes. 

Undoubtedly the present tendencies are toward revival.  At the moment there is a coy and timorous advance in the direction of an acknowledgement of the intrinsic and comparatively unassailable excellencies of Spitalfields brocades.  These happy auguries are due to:
(1) The disinterest and patriotic interest awakened in royal and distinguished English gentlewomen, again exemplified since these lines were penned on the occasion of the recent visit to Spitalfields of H.R.H. the Duchess of Teck and Princess Victoria Mary;
      2)    The formation of a society devoting its efforts to secure a permanent revival of the British silk industries, known as the Silk Association of Great Britain and Ireland; and
(     3)  The energy and intelligence of some few leading producers and distributors, who have realised that success largely depends on increased care in the selection and application of designs and colourings, and on a sustained and jealous regard for the technical excellence of the output of the looms.

…The revivifying influences are already so beneficial that connoisseurs and experts at recent Public and Trade Exhibitions of British-made Silks hesitated to believe that a combination of such artistic and perfect work could be produced by nineteenth-century Englishmen, and not until after a  visit to Spitalfields, an inspection of the looms, and of the sumptuous and dainty fabrics slowly growing under the deft hands of the weavers, was conviction brought home. 

….An patriotic and discriminating  few already insist on the advantage of English-made silks; it rests with the English designers, manufacturers, and distributors to convince the many they can secure equal intrinsic value and better design and colour in silks of English manufacture.  Then will the sumptuous and dainty creations of the Spitalfields looms once more become a permanent and important source of national benefit and legitimate pride.”

Illustration from 'Spitalfields Brocades', Liberty, Lasenby, Studio: International Art, Volume 1, 1893


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